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OMG Doesn’t She Have A Mirror?

I have seen – more frequently than I thought would be possible – memes on social media encouraging women to lift each other up, stop demeaning each other, and so forth and in the very same day, the very same women commenting on how another woman looked.

Lady in Dress
Courtesy of AlexisDC

“OMG! Did you see what Margie wore to the baby shower?”

“I Knoooow! Doesn’t she have a mirror?”

“Right? She’s way too big/small/tall/short/old/young to wear that!”

Now, aside from the hypocritical nature of the observers – you cannot lift someone up and tear them down at the same time or on the same day or in the same lifetime without being a hypocrite – it begs the question on whether or not “Margie” views herself the same way that the hypocrites do. What I mean is, does she have a mirror and what does she see when she looks into it?

When we develop a character, we know how they look, what they think, why they think that way and so on. But are your characters self-aware? Do they know that they like the color blue because the sweater their mother wore when then they were little was blue and the color makes them feel warm and safe? Probably not. When they look in a mirror do the see that they are too big/small/tall/short/old/young to wear those clothes, or that hair style, those shoes, that jewelry, that make-up? Probably not. Or maybe…

So, when does a character need to be self-aware? What if Margie doesn’t know that a mini skirt is just not the most flattering article of clothing for her to wear. Would she be hurt by the comments whispered behind her back and/or posted by her “friends” on social media? Why doesn’t she know – what’s her self-perception? Doesn’t she see her chicken legs/elephant legs/varicose veins/whatever? What if she does know? Does she not care? Is she so self-confident that she doesn’t give a damn what anyone thinks? Is she wearing it on purpose to call out the hypocrites?

Self-awareness can be tricky with characters but it is something we have to determine when we develop our characters. Are they aware of their triggers and tells? If not, are they victims or aggressors? If so, are they manipulators or fragile and clinging to self control? Each time we can look into the depths of our characters from our point of view, we can make a richer character. But, if we can turn it around and see our character from her point of view, we can make a more sympathetic character.

P.S. This isn’t just for women.


In the meantime, we are accepting submissions for our May/June Issue. The theme is “Three Wishes.” What wishes would you grant if you could? What wishes would you never grant if asked? Would you relinquish the control of your wishes to someone else? To whom? What would you wish for? Send in your stories, nonfiction, essays, poems, recipes, artwork soon! Deadline is April 16th.

Fear – It’s Not Just For Sissies

Today, I want to talk about fear. I have fears. Practical ones too like a fear of heights, peanuts (I’m allergic), snakes, and tucking my skirt into my underwear. With our kitchen renovation I’ve become fearful of what I’ll see when we take down drywall – mouse droppings, mouse carcasses, or more frightening, improper structure. I am also fearful of the estimates from the trades people called in to fix the improper structure and clean up the mouse carcasses. Everyone has fears. Fear can be a huge motivator or inhibitor for us.

Having fears is different from being afraid. Fears we carry with us all the time. I know with absolute certainty that I will never ride on the High Roller on top of the Stratosphere Tower in Las Vegas. I know this for several reasons:

  1. I fear heights so I wouldn’t go up there in the first place.
  2. It was dismantled in 2005.
  3. It’s just stupid.

Fear is something we have. Being afraid is a state of being and usually causes us to do something about being afraid. Little Man is afraid in the dark so he’ll turn on his lamp. I am afraid of being on a ladder so I get down. I am afraid of snakes and will run away (screaming like a little girl). Fear can paralyze us from doing something but being afraid can motivate us to do something.

How we become fearful of something is important because maybe you aren’t fearful of that thing but an associated thing. I am fearful of heights. Because it would hurt to fall from a height. A lot. It would hurt a lot. So, maybe it’s not heights but pain I’m fearful of. I am fearful of snakes. Because they can bite and some are poisonous. I’m fearful of being bitten (pain) and of being poisoned. I am fearful of peanuts. Because I have an allergy that makes me die. I have experienced the anaphylaxis and don’t want to do it again. I don’t go near them if I have control so I’m fearful of not having control over the food that is offered to me. I am fearful of other people’s carelessness and stupidity. When put in a position where the fear becomes a reality, that’s when we become afraid and act. I’m up high – I get down (carefully). I see a snake – I run. When people are offering me food – I ask what’s in it, possibly decline, never trust, and always have my EpiPen handy.

When developing your characters think about what they fear. How does that paralyze them? How does that make them act or react? What if your character is afraid of themselves or what they could be capable of doing? A. Marie Silver wrote a wonderful series on Fiction & Phobias that you can revisit here. In the series you will find a list of phobias that can be used in your character development or destruction. Just remember to analyze why your character might have a particular fear, what the fear really is, and what action does it cause them to do (or not).

We are now taking submissions for the May/June Issue of Pilcrow & Dagger. The theme is Three Wishes. If you had three wishes, what would you wish for? A fancy car? A big house? Lots of money? Children? No children? A vacation? How did you gain these three wishes? What are the consequences of them? If you could grant three wishes what would you grant? To whom? Don’t be afraid, write your story, poem, essay, recipe, flash, what-have-you and send it in! Deadline is April 16th and there’s no wishing for that extension.

Traditional Publishing

When people talk about being “traditionally published” They are most often talking about getting signed on to one of the “BIG FIVE” publishers located in New York. (There used to be the “BIG SIX” but two, Penguin and Random Houses, merged. I will say that there are still SIX because for some reason many discount Scholastic. We’ll get there.) These big publishing houses carry the weight of history, name recognition, and most importantly – money – in their names. Who wouldn’t want to say “My publisher is HarperCollins”?

To get on with these BIG guys you have to have  the “it” factor. And maybe even then they won’t pick you up. And these guys typically don’t take unsolicited manuscripts.

You will need an agent. Not just any agent, or a new agent. You will need a BIG agent with a client list that reads from the stacks of Barnes & Nobel. You will need an agent who is connected, whose name gets the publisher to answer the phone, who has a rapport with these big publishers. These agents don’t typically take unsolicited manuscripts.

So, how do you get one of the BIG FIVE to notice you? How to you get a BIG AGENT to notice you? Perseverance. Watch these agents’ companies. Many times they will hire a new agent and that new agent will need to start their own slush pile and will make and open call for manuscripts. If yours is accepted, and if it is read, and if it is deemed worthy, your work might be moved up the ladder to the BIG AGENT. Or not. Regardless, keep sending the synopsis out to anyone accepting them.

The thing about the BIG FIVE (or SIX) is that they are very big. They have several smaller subsidiaries which in turn have several smaller imprints. Take Macmillan for example. Macmillan owns Henry Holt which in turn owns Holt Paperbacks. Each imprint and small press operate independently so you can solicit your manuscript to Holt Paperbacks, Kingfisher, and Griffin. They are all part of the Macmillan family. So, if your manuscript is picked up by Griffin, you are sort of published by Macmillan. Perhaps someday, your work will move up the ladder to St. Martin’s Press and upward to Macmillan. There is a chart of the BIG FIVE US Trade Book Publishers that is beautifully done. You can see it here.

The one that did not make the list is Scholastic. To me, Scholastic should be counted as one of the BIG names in publishing. They are the largest publisher of children’s literature and with six corporate divisions and almost 2 dozen imprints, Scholastic has some muscle. Let’s not disregard some of the titles Scholastic has published: The Baby-sitters Club, Freak the Mighty (series), Harry Potter (American version), Captain Underpants, and The Hunger Games (series). I believe that if you write children’s literature or young adult literature, you may want to investigate Scholastic as an option for publication.

With BIG FIVE publishing, you have resources for marketing – book trailers, blog tours, book signings, interviews, press releases, book store shelf placement, promotions, and so on.

If you are fortunate enough to get on with one of the BIG PUBLISHERS, just remember to read the contract very carefully. Rather, have your attorney read your contract very carefully. I promise the goodies are nice but the publisher’s contract was drawn up to their benefit. For that matter, have your attorney read your agent’s contract too. The bigger the agent and the bigger the publisher, the bigger the percentage you won’t see. 


Just a reminder, March 1st closes the door on the Dirty Little Secrets theme! So hurry and confess your sin or tattle tale on someone else. Do you have a secret ingredient in you famous chili you omit whenever you give out the recipe? Did you roll back the odometer before you sold your car?  Did you hide the hole in the wall behind an armoir when selling your house? Did you exaggerate on your resume? Do tell! Be quick!


Diverse Reading Lists = Fresh, Original Writing

I read a blog recently that touched on how important reading is for writers. The main lesson was that successful writers are also avid readers. I couldn’t agree more. Writing experts often advise new writers to read books in within the genre they want to write. If you want to write Young Adult, you should read as many books in this genre as you can. This is good advice, but I fear that too many writers take this piece of advice to an extreme.  

The worst thing any writer can do is limit their reading lists to only their preferred genre.  Doing so is not going to provide the fresh, original writing that so many avid readers crave. If anything, you may find yourself in a hole recreating someone else’s work without realizing it.

For example, shortly after the Twilight Series came out, it seemed as if every YA book on the market ran with themes that paralleled the Twilight books. Not all of them were paranormal romance books but more than one centered on a female protagonist who fell in love with a mysterious boy. Soon enough, she started to blow off her own family to spend time with his, becoming BFFs with his sister. Then drama ensued: someone was killed or maimed, bad people moved into town, etc., etc.  By the end of the book, the young couple were happy together but maybe preparing for a new battle in the second or third book. So many of these books flooded the market, I wondered if it was because new writers were reading too many of one genre. 

One of the best things that happened to me from my time with Pilcrow & Dagger is that LeeAnn and I began interviewing self-published authors. We try to make sure that each author has published books that fits the theme of our issues. This has forced me to read books in genres I wouldn’t normally read. And while I haven’t liked every book I’ve read, I’ve learned something about myself and my writing from each book.

But, writing isn’t my only interest.  I’m also interested in cooking collecting recipes, crocheting, and I’ve developed a recent interest in computer science – specifically malware. My reading list has now expanded from novels within a wider range of genres to reading blogs about book reviews, writing advice, and technical manuals – each of which has inspired an idea I’ve used to help my stories grow.

Original story ideas can come from the most unusual places. Step outside of your comfort zone and take a look at how other reading materials can help you develop your craft.

Pilcrow & Dagger is now accepting submissions for the April issue. The theme is “Dirty Little Secrets.” Have you ever killed someone? Had problems hiding the body? Cheated on your taxes? Cheated on your boyfriend? Cheated on your boyfriend with his sister’s boyfriend’s boss? It’s time to empty out the skeletons in your closet! Get your short stories, poems and essays in today! The deadline for this issue is March 1, 2017.



Publish Independently?

Photo courtesy of nuchylee

If you don’t want to navigate the deep, swirling waters of self-publishing and you are’t too sure about using a vanity press, you still have a number of options that are available to you. At this point you will be looking for a more traditional way to publish your book. There are a bazillion reasons why this is a good option. Presses, or publishers, cover costs such as editing, artists, blurb writing, reviews, printing, distribution, ISBN, and the big expense (in time and money) in marketing. This alone would make anyone squeal with delight. Squeeee!

But rather than search out publication from one of the BIG publishing houses, you may want to give a small press, or an independent press a look. Small or Independent presses publish a few, probably less than 100, titles per year. They will occasionally accept unsolicited manuscripts. (Unsolicited means they didn’t ask you for a manuscript nor did they ask an agent to find one for them.) Small presses typically focus on a particular genre such as children’s literature, picture or board books, young adult literature, general fiction, poetry, romance, horror, and so forth.  Where can you find these gems? Poets & Writers has a fantastic database of small presses. You will be able to narrow down your search based on genre and book type. You can check it out here.

But there’s a caveat. The dreaded contract. Yes, you will be legally bound to this press. You may lose your copyright for a number of months or years in exchange for an advance (hopefully) and royalties during the lifetime of the contract. Then there are all sorts of fine print you need to watch out for such as royalties don’t start until the expenses associated with the publishing of the book are met, sliding scales of royalties (10% until the first 10,000 are sold then 15% to the next 10,000, etc.), whether you get to keep the cover art, yada, yada, yada. What? You’re a writer not an attorney? That’s unusual these days but it could happen. You, the non-attorney author, will need to seek out a literary attorney to read, review, and advise you on the contract deal. Guess what – you pay that fee.

Photo courtesy of stockimages

There is another option. Locating a literary agent. She can help you locate an appropriate press for your work and even help you with translating the contract. Keep in mind that she will need to be paid for her services. Sometimes they take a percentage of your advance and retainers. Maybe she wants an upfront fee. Depends on the agent. You will have a contract with her too so don’t throw away that attorney’s phone number just yet. Writer’s Digest has excellent resources to locate a literary agent. One such article is here.

But don’t forget, that if you haven’t written a good first draft, and done your preliminary editing and revisions so that it’s a really, really good draft, the odds of an agent taking you on are slim and the odds of a press taking a raw unsolicited manuscript are slim. Write your story and clean it up so that it sparkles. Don’t forget to write your synopsis too!


And while you are writing, don’t forget to type up you story for the April issue of Pilcrow & Dagger. The theme is Dirty Little Secrets. What are you itching to tell? Did you put itching powder in your camp counselor’s cot? Did you give poison ivy to someone? Did you give something else itchy to someone? Eww. Do you want to kiss and tell? Did you kiss the bride? The groom? Write it down and sent it in!

Author Biography: What to write when you haven’t been published

This question came up recently in one of the writing groups I’m honored to be a part of.  One of the members asked: If I haven’t published anything yet, what do I write in my author biography? My response was: Make something up.  Don’t worry about whether or not you have any bragging rights to mention.  Until you’re published, you are the product you’re marketing. If people like you, they’ll be more inclined to read your books/short stories/poems. And when you’re trying to gain an audience on your blog, an entertaining and engaging author biography could be just the ticket to get people to stick around and read what you have written.

Always remember, creating an author biography should be fun – so have fun with it.  Start out with something long and then take your favorite highlights from it and shorten it. Remember – a lot of social media sites limit how many characters you can have in the “About Me” section.

Here’s an example of one of the longer author biographies I wrote:

A. Marie Silver was kidnapped by the Griswold family when she was five years old. Forced to join their disastrous quest to find an elusive theme park, she spent the better part of her childhood and early teens learning how to hide from Cousin Eddie, chase squirrels out of Christmas trees and navigate her way through European traffic circles.

After living in the backseat of the Griswold Family Truckster for 13 years and seeing the sights; such as Big Ben and Parliament, her captor’s finally figured out how to exit the traffic circle. It was then she made her escape.

Fleeing back to the United States she attended college in the Land of Enchantment where she majored in the art of eating enchiladas and burritos. Her final exam before graduation consisted of one question: Red or Green? Her answer: Either as long as they’’re both flaming hot. She graduated with honors.

When asked to describe herself, A. Marie will tell you she’s a klutz, suffers from very public and extremely embarrassing brain farts, and she gets lost walking out to her mail box – a true talent on her part considering her mail box is located at the end of her driveway.

Frustrated with life’s mysteries, A. Marie spends her days avoiding reality by plunging into a world where psychics are well respected, Santa Claus exists, and poltergeists are neutered. Learn more about her and her misadventures at or

Photo courtesy of

I took my favorite parts of this biography and shortened it to this:

A. Marie Silver was kidnapped by the Griswold family when she was five years old and was forced to join their disastrous quest to find an elusive theme park. She spends her days avoiding reality by creating worlds where psychics are well respected, Santa Claus exists, and poltergeists are neutered. Learn more about her and her misadventures at or

I used this condensed version for a while but eventually switched it out with something different.  That’s another fun part about author biographies – they shouldn’t stay the same forever.  Keep things fresh and every so often, come up with something new.

Here’s an example of a more recent author biography I wrote:

A. Marie Silver has a three-year-old who growls for no particular reason, and a two-year-old who chews on the furniture. She spends her days wondering when her kids will figure out they’re human, writing letters to Ellen DeGeneres, and working on her novel. Learn more about her at or

The current author biography that I’m in the process of spreading around my social media accounts is this:

A. Marie Silver is a wife and mother of 2.5 kids (or three, depending on when you read this.) She spends her days writing letters to Ellen DeGeneres, conversing with her toaster, and editing Pilcrow & Dagger Literary Magazine. She can be cyberstalked at and

For more information on how to craft an author biography visit Kristen Lamb’s Blog. I also highly recommend her books: We Are Not Alone: The Writer’s Guide to Social Media Rise of the Machines: Human Author’s in a Digital World, and Are You There Blog? It’s Me, Writer


Pilcrow & Dagger is now accepting submissions for its April issue. Theme theme is “Dirty Little Secrets.” Have you ever killed someone? Had problems hiding the body? Had an affair? Cheated on your taxes? Robbed a bank? Tell us all about it!  We want to know about the skeletons in your closet. The deadline for this issue is March 1, 2017.

You Have To Break A Few Eggs To Make An Omelet

Hi! It’s me again. It’s been a while since I wrote a blog and I left off in covering the different ways to publish your story. I promise to get back to that next time. But what has been going on since November has been a LOT! It was Thanksgiving. Mom wanted everyone to gather at her house BUT she didn’t want to cook or have a big mess in the kitchen. If it was just me, I’d say sure let’s get a pizza. However, with family traveling from as far as Rhode Island, I didn’t think that would fly. Besides, Thanksgiving is all about the food. After giving thanks of course. So, I had the responsibility of cooking Thanksgiving dinner for 10 here in Georgia and taking it to North Carolina for the family dinner. I know.

Then, there was December. Aside from the preparations for Santa, my job, Husband’s job, Husband’s birthday, cards, decorations, and the typical chaos of the season, we suffered a huge tragedy. My father died. It was coming. It had been coming for a while. My hope was that he’d live until after the first of the year. In fact, we were heading up there with Christmas presents in hand a couple of days after Christmas. I missed seeing my dad for the last time by 7 days. I’m still sad. Devastated. I was Daddy’s Little Girl and he was my hero. And now….. And now life has to move on. Mom has been taken care of and she’s recovering and settling into her new role in life. And so must we. Even after that big egg break, there will be an omelet.

We, Husband and I, have been fixer-uppering our fixer-upper for the last almost 5 years. Little by little, room by room, we have mad progress. We took out a falling fence and an overgrown former spice garden and replaced it with grass. We found and pruned a crab apple tree in the overgrown spice garden the blossom of which adorned the cover of our May/June 2016 issue. We pulled out the dead azaleas in the front “yard” and the dead hedges along the foundation in the front of the house. We also cut down 5 HUGE pine trees in the front yard. We ground the stumps and dug out roots and replaced the “yard” with an actual yard. The hedges have been replaced and are thriving and the grass has come in and we added 2 ornamental trees to frame the house – a Japanese maple and a cherry tree – neither will get HUGE. And if you’ve ever done landscaping you know that digging things out, and cutting things down makes a big hot mess. And eventually, slowly, the mess gets cleaned up and the wound heals. Voila! Omelet!

Inside we’ve stripped wall paper (don’t get me started on that), painted, repaired walls, replaced tile, repaired woodwork, installed woodwork, changed light fixtures and fans, and replaced some windows. Now it’s time to break a few more eggs. Our next omelet is the kitchen. Yes, it’s time. We started by removing a rear staircase so we can open up a dark narrow hallway (which made me hum Hotel California every time I did laundry). It took only a couple of weeks to get it done and it took me a couple of weeks to clean up the drywall dust and the the tile dust where the tile had to be taken out. Next up is the rest of the tile floor. All I know is that I’m looking for ways to keep the incredible amount of fine, gritty dust out of the rest of the house before the first tile comes out. And I’m packing up stuff that needs to come out of the kitchen before the cabinets can come out. And the biggest reality check is that I will be out of a kitchen from the end of February to possibly the end of April. That includes not having water available! Anyway, with the dozens of eggs that will be cracked on this project, the omelet will be big, beautiful and fluffy!

It’s like this with any project or change in life. Eggs break, omelets are made. How’s your writing going? is your first draft crap? Of course it is. That’s where the egg-cracking comes in. It’s called editing and revising. And it is just as messy and nasty as drywall dust.

In case you haven’t heard, we are accepting submissions for the April 2017 issue. The theme is Dirty Little Secrets. Bwahaha! Do you have any skeletons in your closet? Do you know where skeletons are? Did you put them there? Have you cheated on your taxes? Cheated on your spouse? Cheated on your spouse’s taxes? Did you go to confession? Write it down and send it in! We accept pen names!

Forget the Rules!

At some point, every writer has experienced frustration while trying to develop a story that follows all of the writing rules.  I know I have and at times its been enough to make me want to quit writing altogether. And yet, it seems like just when we have the rules figured out, someone else has gained fame and fortune from breaking those rules.  So why is it okay for them to break the rules but not the rest of us?

We’re not the only ones who’ve noticed this.  The writing experts themselves have and now when they publish a book on the rules of writing, they’re trying to compensate for it. So, when you go to read one of those rule books, you might find something like this:

  • Don’t write in first person/present tense. Unless you’re Suzanne Collins (The Hunger Games), Veronica Roth (The Divergent Series), or Rick Yancey (The 5th Wave); and then it’s okay. But if you’re not one of these authors you should stick with writing in 3rd person past tense because it’s easier for your audience to read.
  • Don’t use prologues. Unless you’re Sara Gruen (Water for Elephants), Michael Cunnigham (The Hours), or Dennis Lehane (Shutter Island). As long as you’re one of these writers, it’s okay to use prologues because they did it well. Otherwise prologues are seen as a lazy writer’s way of conveying information about the backstory that they should work into their novel in other ways.
  • Steer clear of flashbacks and dream sequences. Flashbacks and dream sequences cause discontinuity within your story line and can make it difficult for your readers to follow. But they’re okay to have as long as your write like Emily Bronte (Wuthering Heights), Paul Hawkins (The Girl on the Train), or Gayle Forman (If I Stay), because these authors did it well.

With these rules it’s no wonder writers get so frustrated.  The sad reality is, none of the writing rules are bad but all of them can be broken as long as the exception to the rules are executed well and that’s the trick: executing your story so well, nobody cares if you broke a few rules.

In honor of a new year, I recommend we all forget the rules.  Throw caution to the wind. Write your story the way you envision it. If you want a prologue, have a prologue. If you want flashbacks, write them. If your story doesn’t work the way you wrote it, your beta readers will tell you and then you can try something else.

Happy New Year

I’ve been writing with purpose for five years next month.  I remember attending my first writers group meeting totally unsure of what was ahead.  Was my writing any good?  Did I have anything to offer other people in terms of critique?  Could I be a writer?

As it turned out, a lot depends on how you define writer.  At its most basic level, being a writer means only someone who writes.  That could be little Elsie with her diary, Suzette with her blog, or even Ralph with his constant Facebook rants (all names are fictitious, I don’t know anyone with those names).  Anyone who has written essays as part of their school work is, technically, a writer.

What I think is meant by writer in the context of “can I be a writer” is the notion of writing for a broad audience.  So, no to the diary, no to school papers, yes to blogs and Facebook rants, provided you have a more than, say, fifty followers.

I write for publication in magazines and ezines.  Yes, I write for myself, in the sense that I write what I want to write and not what someone else tells me to write, but my purpose is to be published.  To get a piece past a slush pile reader, and past however many editors are involved in the process, and get that piece between the covers of a magazine (or on the website, as the case may be).

To that end I’ve had a moderately successful year.  I’ve been published six times against ten rejections, a phenomenal ratio I think.  I was even paid for one of them.  The pieces that are still in progress have been well received by my critique circle and I should be shopping them around this coming year.  So, it appears that I do, indeed, have what it takes to be a writer.

As I reflect back today over the past one and five year periods, I look ahead to 2017 and think this is the year that I switch from writing with purpose to writing with a goal.  You see, I have my own Mt. Everest to climb.  I want to get a full-sized short story into Alfred Hitchcock Mystery Magazine (AHMM).  Which is fine, except I haven’t been writing any mystery or crime fiction over the past five years. I’ve been honing my craft on general fiction pieces that are more accessible to a wider audience.

This year I wrote my first police procedural type story and now I’m working on two crime based short stories. This vastly reduces my chances of getting published because there are limited outlets for crime fiction (six that I know of).  I have to live with that limitation, though, if I want to concentrate on getting good enough for AHMM.

I try to keep these posts to 500 words, so I have to sign off now, but I think I’ll develop this theme of writing with a goal a little more next time.  A happy and prosperous new year to you.

Bartleby the Scrivener

Since the day I read it I’ve been haunted by Herman Melville’s Bartleby the Scrivener.  It’s the story of a man who hires Bartleby.  Bartleby starts work at his new office and shows great promise, only to stop working bit by bit while uttering the phrase “I would prefer not to,” when asked to perform a normal work task.

It’s an implausible story as any normal boss would just fire the worker, but this boss ends up moving his offices to get away from Bartleby.  The story goes on at length about their relationship and it shows through its wonderful prose the worldview of the boss more than it tells the story of Bartleby, though the two are inextricably entwined.

It’s a bleak story and not to everyone’s liking.  If you haven’t read it, it can be done in one sitting, but it’s a novella so be ready.  Also there have been a few movie adaptations of it.  I own one starring Crispin Glover as Bartleby and David Paymer as the boss that gives the feel of the story in a more modern setting.  Glover gives his usual creepy performance which is perfect for the creepy character of Bartleby.

I posted a story to my online critiquing group that was supposed to give a sense of the bleakness of Bartleby The Scrivener, but I didn’t quite pull it off on my second draft.  But that’s what critique groups are for, pointing out where you’ve failed and offering suggestions for making it better.  I have to admit to a certain amount of trepidation trying to emulate a master like Melville, but at the same time it made me very intentional about the writing of that story.  We’ll see if that helps me turn a corner in my writing.  I need to be stretching myself a bit more if I’m going to go to the next level.

The competition I’m writing for is The First Line’s spring 2017 contest.  Entries are due February 1.  Go to The First Line’s webpage for more information.

Submissions for the February/March issue of Pilcrow and Dagger close January 4!!  Not much time left, so be working on those stories about Armageddon.